Sunday, February 07, 2010
Wednesday, January 27, 2010
My Movies List 2010
1. Pulse 1
2. Farenheit 9/11
3. Death Of A Ghost Hunter
4. Tropa De Elite
5. Bridge To Terabithia
6. The Golden Compass
7. The Good Shephard
8. Frantic
9. Perfect Stranger (2nd time)
10. Pursuit Of Happyness (3rd time)
2. Farenheit 9/11
3. Death Of A Ghost Hunter
4. Tropa De Elite
5. Bridge To Terabithia
6. The Golden Compass
7. The Good Shephard
8. Frantic
9. Perfect Stranger (2nd time)
10. Pursuit Of Happyness (3rd time)
My Reading List 2010
1. Possession - Peter James
2. The Entity - Frank De Felitta
3. True Tales Of Demonic Possession: The Possessed - Brian McConnell
4. In Search Of Magic And Witchcraft - Alan Landsburg
2. The Entity - Frank De Felitta
| ||
3. True Tales Of Demonic Possession: The Possessed - Brian McConnell
4. In Search Of Magic And Witchcraft - Alan Landsburg
| ||
| 5. The Exorcist - William Peter Blatty  \ 6. The Voodoo Gods - Maya Deren - no picture available - 7. Lucky Man - Michael J. Fox  8. Mikes Election Guide - Michael Moore  9. Socialite Evenings - Shobhaa De  10. Next book details coming up . |
Wishlist
Image capturer = AUD 30
Nys eyeshadow shades
Pebbles design runner and platemats
Ring (finger) - with a particular large design
Boots - particular design
Paper and CD shredder
Sex and the city boxset - particular designs
Starfish - home decor
Bean bag
Dressing table
Swing
Solar lights for yard
Magazine tray for bathroom
Cafe type of mug with spoon
Miniature zen garden
Ipod docking station
Scroll
Precious stones
Dolls house
Nys eyeshadow shades
Pebbles design runner and platemats
Ring (finger) - with a particular large design
Boots - particular design
Paper and CD shredder
Sex and the city boxset - particular designs
Starfish - home decor
Bean bag
Dressing table
Swing
Solar lights for yard
Magazine tray for bathroom
Cafe type of mug with spoon
Miniature zen garden
Ipod docking station
Scroll
Precious stones
Dolls house
Tuesday, January 05, 2010
Alan Shore Quotes
Quotes for
Alan Shore (Character)
from "Boston Legal" (2004)
"Boston Legal: Trial of the Century (#3.24)" (2007)
Judge Phyllis Tamber: I will not let you turn this proceeding into a joke.Alan Shore: But, Your Honor, Denny and I are a comedy team!
[italicize team if possible]
Alan Shore: Could I have a second alone, Denny?
Denny Crane: With me?
Alan Shore: With the judge.
Denny Crane: To next season, my friend.
Alan Shore: I can't wait to see what we do next!
Denny Crane: I'm just getting started!
Alan Shore: Denny Crane.
Denny Crane: Alan Shore.
Alan Shore: Flamingos.
"Boston Legal: The Cancer Man Can (#2.11)" (2006)
Alan Shore: Jerry... you know I have tremendous affection for my own intelligence, and even I think you are smarter than me.Jerry Espenson: Oh, I am.
[Regarding a nervous habit of a colleague]
Alan Shore: It helps him think; it's a peccadillo.
Denny Crane: A peccadillo? I don't have any peccadilloes.
Alan Shore: What's your name?
Denny Crane: Denny Crane.
Alan Shore: She's certainly limber for a woman her age.
Denny Crane: I'd like to be alone with my phone... just 15 minutes.
"Boston Legal: Ivan the Incorrigible (#2.22)" (2006)
Denny Crane: Alan, you know, one thing you sometimes forget is, no matter how hard your day, no matter how tough your choices, how complex your ethical decisions, you always get to choose what you have for lunch.Alan Shore: Daily, I am amazed at your inexhaustible ability to just live.
Denny Crane: It's either that or die.
Alan Shore: Jerry, you're in luck. Mr. Kupfer is my favorite opposing counsel. He's smart, eloquent, a pleasure to watch, and every time I go up against, him he obligingly loses.
A.D.A. Douglas Kupfer: You know, if the U.S. really wanted to torture detainees, they could sentence them to be you for a day. I imagine it's excruciating.
Alan Shore: You have no idea.
"Boston Legal: Race Ipsa (#2.23)" (2006)
Judge Robert Sanders: I think I have enough probable cause, Mister Shoop!Alan Shore: Actually, your Honor, since our last get-together, I've changed my name from Shoop to Shore. I figured since it's already on my driver's license and passport, not to mention all the pleadings before you - though I'd never presume you to read pleadings of course, they're ...
Judge Robert Sanders, Alan Shore: Jibber jabber!
Chelina Hall: God, the last time I saw you...
Alan Shore: I believe it was a Sunday, then I was taken off the air, you went off to do movies, I got switched to Tuesdays and...
Chelina Hall: Here we are... with old footage.
"Boston Legal: Witches of Mass Destruction (#2.6)" (2005)
Denny Crane: Most of the Democrats voted for this war. John Kerry voted for it. Hillary Clinton voted for it. And now, suddenly, it becomes unpopular... Say what you will, about Republicans. We stick to our convictions, even when we know we're dead wrong.Alan Shore: Some might say especially then.
Alan Shore: [Alan and Denny dressed as flamingos] Denny, you look pretty in pink.
"Boston Legal: Deep End of the Poole (#2.24)" (2006)
Alan Shore: Denny Crane!Denny Crane: Alan Shore!
Alan Shore: Leaders of men!
Denny Crane: With bulleyes on our asses!
Alan Shore: I have no defense, Denny. I broke the law.
Denny Crane: So?
Alan Shore: So, usually in these situations I go with jury nullification. Persuade the jury to focus on the moral, not the legal, but here it makes no difference! What I did was unethical, immoral, illegal...
Denny Crane: You're being so negative.
Alan Shore: I need you to close.
Denny Crane: What do you mean?
Alan Shore: I'll try the case, but at the end I need somebody else to stand before the jury and say, "Let the man go."
Denny Crane: And you want me to do that?
Alan Shore: There was a day when all you had to do was say your name.
Denny Crane: That's still all I do.
Alan Shore: Denny, I find in life, and I know you must, that craft doesn't matter so much if one is a big enough star. You've spent your entire life getting away with who and what you are, because you're a star!
Denny Crane: Big star. I blow solar flares out of my ass.
Alan Shore: I need your start power here. I need you to stand up before that jury when we're done and tell them, "Let Alan Shore go!"
Denny Crane: Really?
Alan Shore: I have a gut feeling it's my best shot.
Denny Crane: Let him go! Denny Crane. I'll do it.
"Boston Legal: Angel of Death (#3.11)" (2007)
[Shirley Schmidt is sending Alan to New Orleans to help out on a case]Denny Crane: I just heard! New Orleans! My penis is already packed!
Alan Shore: Denny, I would love for you to join, but this particular excursion is a rather serious one. Maybe you and I could go another time.
Denny Crane: Are you nuts? That damned tornado wiped out half the place. There's no time like the present. Alan, we must seize the hookers - uh, the day.
Alan Shore: You know, Denny, technically it wasn't so much a tornado as a hurricane. And you're holding a kazoo.
Denny Crane: Not just any kazoo. A trombone kazoo. A go-to-New-Orleans-under-the-pretext-of-some-legal-case-to-play-with-a-Dixie-land-band kazoo.
Vanessa Walker: I only have two plane tickets.
Denny Crane: Oh, gee, I only have a Gulf Stream.
Alan Shore: I think Denny wants to come, Vanessa.
Denny Crane: Denny Crane: Down on the Bayou.
[Alan and Denny talk on the balcony about how horrible it must have been in New Orleans in the aftermath of Hurricane Katrina]
Alan Shore: I tried closing my eyes again... to imagine. I couldn't. Nobody could, I suppose, unless they were there.
Denny Crane: I was there. Well, I flew over in my Gulf Stream. Doesn't that count?
Alan Shore: To some.
"Boston Legal: Stick It (#2.19)" (2006)
[to the jury]Alan Shore: Last night I went to bed with a book, not nearly as much fun as a 29 year old, but the book contained a speech by Adlai Stevenson. The year was 1952, he said 'The tragedy of our day is the climate of fear in which we live and fear breeds repression. Too often sinister threats to the Bill of Rights, to freedom of the mind, are concealed under the cloak of anti-Communism.' Today, it's the cloak of anti-Terrorism. Stevenson also remarked that it's far easier to fight for principles than to live up to them. I know we are all afraid, but the Bill of Rights, we have to live up to that, we simply must.
Denny Crane: Why Alan? That's all I'm gonna ask. Why?
Alan Shore: Some people see things as they are and ask why? Others see things as they never were and claim mad cow.
"Boston Legal: Guantanamo by the Bay (#3.22)" (2007)
Denny Crane: She's not good for you, Alan.[referring to Judge Gloria Weldon]
Alan Shore: Why not?
Denny Crane: She just isn't. A woman knows these things. Trust me.
Alan Shore: Denny, you're not a woman.
Denny Crane: Whatever!
Denny Crane: Women!
Alan Shore: Can't live with them.
Denny Crane: Can't take 'em quail hunting.
"Boston Legal: The Nutcrackers (#3.10)" (2006)
Denny Crane: [Staring at the cross-dressed man sitting on the other side of Alan's desk] Is that a guy?Alan Shore: [Smiles] Don't be silly.
Denny Crane: Seriously, I think that's a guy!
"Boston Legal: BL: Los Angeles (#2.27)" (2006)
Alan Shore: You ever wonder if you and I are la-la?Denny Crane: Don't be ridiculous. We're flamingos. And good ones.
"Boston Legal: An Eye for an Eye (#1.5)" (2004)
Alan Shore: One last proposal. And it's entirely possible I'm kidding, by the way, depending upon your reaction. $300,000 - sealed. We kick back 50 to you, under the table.Attorney Braxton Mason: Mr. Shore, I guarantee you I am not that kind of attorney.
Alan Shore: Really? Gosh, I am.
Attorney Braxton Mason: I should report you directly to the Bar, if not the District Attorney.
Alan Shore: Well, if that's how you feel, then I *was* kidding.
"Boston Legal: Questionable Characters (#1.7)" (2004)
Alan Shore: I'm giving notice. I believe two weeks is standard. Now step aside, Paul, before I push you to the ground and go to the bathroom on you."Boston Legal: Oral Contracts (#4.8)" (2007)
Alan Shore: We're actually sitting in a court room, wasting tax dollars, because my client had gas. He was constipated, he went to remedy his problem, in a bathroom, imagine that, where low and behold, three undercover police officers were lurking, waiting, to interpret a tapping foot as a call for gay sex. Now, maybe Larry Craig deserved his fate, thrown in front of the very bus he helped to build, but Denny Crane doesn't deserve this, all he was trying to do was take a crap."Boston Legal: Smile (#2.15)" (2006)
Denny Crane: I don't fear death - never have. But I do fear being hooked up to a machine ... would you want to live like that?Alan Shore: No, Denny, if it came to that, I'd pull the plug.
Denny Crane: Pull the plug? That's no way to die. I want you to shoot me!
"Boston Legal: ...There's Fire! (#2.17)" (2006)
Denny Crane: You know, the best part of my marriages has always been the first day.Alan Shore: Just married. Grand thing. But for me there was nothing more devastatingly lonely than being married for a while.
Denny Crane: You never talk about your wife. What was she like?
Alan Shore: She had all the most delectable qualities one could hope for. Creativity, desire, zealotry, a gorgeous clavicle, healthy lack of inhibition.
Denny Crane: Sounds spectacular. What happened?
Alan Shore: She began to know me too well, and I began to hate her for it. Even when I was unpredictable, she'd predict it. For those of us who aspire to be original, that's the worst sort of banality. She died. I've missed that banality ever since.
"The Practice: War of the Roses (#8.17)" (2004)
Alan Shore: It's not that I didn't appreciate your riveting performance, but I've mainly retained you to sit at the table as honorary friend of the judge.Denny Crane: Let me tell you something, tiger.
Alan Shore: Tiger?
Denny Crane: You want Denny Crane to talk. When Denny Crane talks, E.F. Hutton listens. My presence alone - my presence is so powerful, I don't even have to talk. Sometimes I'm better when I don't talk.
Alan Shore: This was my thinking.
Denny Crane: I'm Denny Crane, damn it!
"Boston Legal: 'Til We Meat Again (#1.14)" (2005)
Paul Lewiston: There's no opportunity to plead this out?Alan Shore: Only if I plead guilty which is, of course, unacceptable. I have to worry about a three strikes law since I plan to commit future crimes.
"The Practice: Equal Justice (#8.10)" (2003)
Alan Shore: To err is human, but to get even? THAT is divine."Boston Legal: Son of the Defender (#3.18)" (2007)
Judge Floyd Hurwitz: Step up here, Counsel.Alan Shore: This is never good when they ask me to step up.
Judge Floyd Hurwitz: You think I'm an idiot?
Alan Shore: Judge, I cannot be held accountable for what I do with straight lines lobbed right over the plate.
Judge Floyd Hurwitz: How would you like to be held in contempt, Mr. Wisenheimer?
Alan Shore: Again, Judge, that was a beach ball straight down the middle.
Judge Floyd Hurwitz: Two days. Put him in the same cell with his client. They can discuss her wedding plans.
Alan Shore: You can't plan a wedding in two days!
"Boston Legal: Indecent Proposals (#4.18)" (2008)
Alan Shore: I'm sorry, Denny.Denny Crane: No you're not. You're relieved.
Alan Shore: Well, I'm that, too. But if you truly loved her then I am sorry.
Denny Crane: ...
Alan Shore: Denny?
Denny Crane: There's no need to be sorry, Alan. Love, even when it's fleeting, even if it's for a day or two...it's everything. Don't you agree?
Alan Shore: I do. I actually think it's why I'm still single. Every morning I get to wake up and I get to wonder: "Will this be the day?" Every night when I lay my head on my pillow I wonder: "Will I meet her tomorrow?" I imagine what she'll look like, her smile, the way she does her hair, how she laughs, the contour of her breasts, neck... The promise of love can be everything. It's a magic you really find in marriage if you luck out.
Denny Crane: Do you believe married people can stay in love?
Alan Shore: Oh, I believe thy can know even more profound joys be it with children, the depth of the relationship itself can evolve into something they can't possibly live without. And yet, it's something that doesn't quite so resemble love. It's not the romance of love.
Denny Crane: I never knew you to be such a romantic.
Alan Shore: My problem is I'm too romantic. No woman can possibly live up to the promise of tomorrow that love holds for me.
Denny Crane: What about me?
Alan Shore: That not the same. You know one thing I do love about you?
Denny Crane: Tell me!
Alan Shore: While many people embrace the promise of tomorrow, too few celebrate the joy of now. And nobody does that like Denny Crane.
Denny Crane: Let me tell you something. When you got polar ice caps melting and breaking off into big chunks and you got Osama still hiding in a cave, planning his next attack, when you got other rogue nations with nuclear arsenals, and not to mention some wack-job, home-grown that can cancel you at any second and when you got...mad cow, now gets high priority. And when you're still on the balcony on a clear night, sipping scotch with your best friend, now is everything.
Alan Shore: Here's to that.
Denny Crane: Here's to now.
"Boston Legal: Kill, Baby, Kill! (#5.9)" (2008)
Alan Shore: People forgo newspapers for the Internet, where instead of relying on credentialed journalists, they turn to these bloggers... sort of entry-level life-forms, that intellectually have yet to emerge from the primordial ooze..."Boston Legal: A Greater Good (#1.9)" (2004)
Paul Lewiston: Let me make this simple for you, Mister Shore.Alan Shore: Please, call me Alan, I feel we've grown close.
Paul Lewiston: You will be present in court at the table because your sudden absence would send a strange message to the jury that might compromise our case, but Denny will ask the questions. If you attempt to ask the witness anything at all, you will be fired.
Alan Shore: There's a legal term for this. Ah, yes, "Oooooh."
"Boston Legal: The Verdict (#3.6)" (2006)
Denny Crane: Wanna pull my scrotum?Alan Shore: Maybe later.
[Both simultaneously puff their cigars]
"Boston Legal: The Mighty Rogues (#4.16)" (2008)
Alan Shore: My, uh, best friend has Alzheimer's, in the, uh, very early stages, it hasn't... He is a grand lover of life, and will be for some time. I believe even when his mind starts to really go, he'll still fish he'll laugh and love, and as it progresses he'll still want to live because there will be value for him, in a friendship, in a cigar... The truth is I don't think he will ever come to me and say, this is the day I want to die, but the day is coming and he won't know it... This is perhaps the, the most insidious thing about Alzheimer's... but you see he trusts me to know when that day has arrive, he trusts me... to safe guard his dignity, his legacy, and self respect. He trusts me to prevent his end from becoming a mindless piece of mush and I will. It will be an unbearably painful... thing for me, but I will do it, because I love him. I will end his suffering, because it is the only decent humane and loving thing a person can do."Boston Legal: Tabloid Nation (#4.15)" (2008)
Denny Crane: Que seran, seran.Alan Shore: Sera.
Denny Crane: Really? I thought it was seran.
Alan Shore: No. Sera.
Denny Crane: What's seran?
Alan Shore: It's a wrap - keeps sandwiches fresh.
"Boston Legal: Patriot Acts (#4.20)" (2008)
Alan Shore: [Denny and Carl enter the courtroom] You must be jokingA.A.G. Norman Wood: Commonwealth has waived conflict
Judge Clark Brown: Wait a sec. The same firm for both sides?
Denny Crane: Saves on guest casting
"Boston Legal: Nuts (#3.12)" (2007)
Denny Crane: I can't fly.Alan Shore: You're just discovering this?
"Boston Legal: Word Salad Days (#2.21)" (2006)
Alan Shore: [Alan addressing the jury on about water pollution] ... What is our biggest fear? The dirty bomb. Not the dirty water!Attorney Eric Yavitch: [stands to object] Objection! Your honor, Mr.Shore is introducing evidence in his closing that was never presented at trial
Alan Shore: [turning to the attorney] Nonsense, your honor, I refer you to plaintiff's exhibit number apple.
Attorney Eric Yavitch: [confused look at alan] I beg your pardon?
Alan Shore: [addressing attorney ] Apple trashcan to speak from God.
Attorney Eric Yavitch: Huh?
Hon. Stephen Bickle: Mr. Shore...
Alan Shore: [to judge] Not that you're sixty, but classic electrons are free.
Attorney Eric Yavitch: Objection!
[confused]
Attorney Eric Yavitch: eh, I think.
Hon. Stephen Bickle: Mr. Shore! You have a notorious history of court room theatrics. If your aim is to force a mistrial, you will be disappointed.
Alan Shore: [turns to address jury] huh, pillow pants join forces over a Margot pylons. You aren't sailing past honor, for the laking of a room. These questions are birthday basements. To end the blue radish is the upside of luxury and sparking a good lizard, can only make tears fall in hindsight. Puddles do not ask for why not. it is cheese, breath, and wind. It is cheese.
"Boston Legal: Juiced (#5.11)" (2008)
Denny Crane: [Discussing their upcoming case - and the series finale] Hey, maybe I'll retire after this.Alan Shore: Don't be ridiculous...
Denny Crane: Well, what better way to go out? My last case - in front of the Supreme Court. Now there's a finale, Alan.
Alan Shore: They should put it on TV.
Denny Crane: We'd get ratings.
Alan Shore: If they promoted us. Of course, I think there's a law against promoting us.
Denny Crane: Seems to be.
Alan Shore: [Later in scene] Oh, won't they be so happy to see us again?
Denny Crane: The rematch.
Alan Shore: [laughs] The rematch.
Denny Crane: Grand finale.
Alan Shore: Special 9:00 start time.
"Boston Legal: Brotherly Love (#3.19)" (2007)
Alan Shore: I have nothing further.A.D.A. John Lennox: I have nothing, Judge.
Judge Robert Sanders: All right, this would probably be a good time for a... a bowel movement. Uh, uh, lunch, I... I mean lunch. Uh... two o'clock.
Alan Shore: Could we say two-thirty and make time for both?
Judge Robert Sanders: Silence! I won't stand for your... your...
Alan Shore: Poop?
Tuesday, December 22, 2009
Full Body Teleportation System
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| | ( 1 of 1 ) |
| United States Patent Application | 20060071122 |
| Kind Code | A1 |
| St. Clair; John Quincy | April 6, 2006 |
Full body teleportation system
| Inventors: | St. Clair; John Quincy; (San Juan, PR) | ||
| Correspondence Name and Address: | JOHN ST. CLAIR;4A
52 KINGS COURT
SAN JUAN
PR
00911
US
| ||
| Serial No.: | 953212 | ||
| Series Code: | 10 | ||
| Filed: | September 29, 2004 |
| U.S. Current Class: | 244/62 |
| U.S. Class at Publication: | 244/062 |
| Intern'l Class: | B64C 39/00 20060101 B64C039/00 |
1. A full body teleportation system consisting of: generating a pulsed gravitational wave which propagates through a magnetic vortex wormhole generator; and generating a wormhole with the magnetic vortex generator whereby the pulsed gravitational wave traverses through the wormhole and enters into hyperspace where the wave is enormously magnified due to the lower speed of light in that dimension.
2. The method of claim 1, wherein the step of generating the pulsed gravitational wave comprises: using two granite stone obelisks; mounting monochromatic-wave toroidal waveguides on top of each obelisk to create a rotating, twisting, propagating gravitational wave through the vertical axis of each obelisk; and creating a cylindrical compression and expansion in each obelisk to produce a plane gravitational wave traveling down the centerline between the two obelisks.
3. The method of claim 1, wherein the step of generating a wormhole into hyperspace comprises: using two concentric cylindrical solenoidal coils of different radii connected by a single wire wrapped in opposite directions on thin iron transformer laminate; generating bucking electric fields down the centerline of the vortex generator which creates a spacetime curvature distortion with negative energy in accordance with Einstein's General Theory of Relativity.
4. A teleportation system comprising: generating a gravitational wave traveling through hyperspace which interacts with the human energy being; and pulling the human energy being and physical body out of dimension when interacting with the pulsed gravitational wave such that the person is teleported from one location to another through hyperspace and back again into our 4D spacetime dimension.
BRIEF SUMMARY OF THE INVENTION
[0001] This invention is a system that teleports a human being through hyperspace from one location to another using a pulsed gravitational wave traveling through hyperspace.
BACKGROUND OF THE INVENTION
[0002] The basis for this invention is an event, referring to FIG. 1, occurring on May 2, 2004, in which the inventor ("he") personally experienced a full-body teleportation while walking to the bus stop (A) along a road (B) that runs perpendicular to the nearby commercial airport runways where planes are landing. There is a wide iron grating (D) for water drainage that crosses the road at the center of the bus stop. The grating width is such that one has to make a concerted effort to jump across it in order to get from one side to the other. Approximately 50 meters from the iron grating, he (E) felt a vertical wave (F), similar to a flag waving in the breeze, traveling down the street toward the bus stop. The wave velocity was about 1 meter per second, which was slightly faster than his walking speed. In the next instance, he (G) found himself down the street near the corner of the next block. Realizing that he had passed the bus stop, he turned around to see the iron grating approximately 50 meters up the street in back of him. Because there was no recollection of having jumped across the iron grating nor of having passed the bus stop's yellow marker line, he realized that he had been teleported a distance of 100 meters while moving along with the traveling wave. It was obvious that the wave was pulsed because the front edge overtook the inventor, moved with him momentarily, and then the back edge of wave left him as it moved on down the street. While contemplating this sequence of events, he then looked up and saw in a span of a few seconds a twin-turboprop airplane (C) in the distance crossing above the road while making a shallow descent in order to land at the airport.
[0003] It took a number of days in order to understand this sequence of events. The explanation involves knowledge of a wide range of subjects such as gravitation physics, hyperspace physics, wormhole electromagnetic theory and experimentation, quantum physics, and the nature of the human energy field.
[0004] It is obvious from the above scenario that the airplane momentarily crossing perpendicular to the road generates the aforementioned pulse. Because the airplane has an engine on each wing, there are two propellers which conceivably are rotating out-of-phase with each other. That is, the blade of one propeller could be pointing up and the equivalent blade on the other engine could be pointing in a slightly different direction. Notice that the tip of the blade traces out a helix as the plane is landing.
[0005] In gravitation physics, referring to FIG. 2, it is known that two masses of mass m1 and m2 (A,B) attached by lever arms slightly offset by an angle .delta..theta. along the radial direction to the rotating shaft (C), will produce a gravitational wave (D) traveling perpendicular to the shaft. The mass and wave are referred to as the source and receptor respectively. Referring to a side view looking along the shaft FIG. 3, the product of the mass m times the angular acceleration a is a constant such that m1a1 is equal to m2a2. The distance between the masses is length L, which makes an angle .theta. with the horizontal axis. The difference in time of travel to the receptor gives rise to a difference in phase .delta..theta. equal to the angular velocity .omega. of the rotating shaft times the length L times the cosine of the angle .theta..delta..theta.=.omega.L cos(.theta.)
[0006] At the receptor, the amplitude of the wave is equal to the mass times the acceleration times the phase difference divided by the radius r to the receptor A = m 1 .times. a 1 r .times. .delta..theta. .apprxeq. ( m .times. .times. .omega. .times. .times. L .times. .times. sin .function. ( .theta. ) r ) .times. ( .omega. .times. .times. L .times. .times. cos .function. ( .theta. ) ) = m .times. .times. .omega. 2 .times. L 2 .times. sin .function. ( 2 .times. .theta. ) r Even though the turboprop airplane engines have a high rotational speed and a large separation distance between masses, the gravitational wave which is produced is small and not noticed. The problem is that the gravitational constant G in this dimension has such a small value equal to the speed of light c squared divided by the linear mass .OMEGA. of the universe G = c 2 .OMEGA. = ( 299792458 .times. .times. m .times. / .times. s ) 2 1.346812891 10 27 .times. .times. kg .times. / .times. m = 6.673200002 10 - 11 .times. .times. m 3 kg .times. .times. s 2
[0007] On the other hand, a gravitational wave traveling in hyperspace would be magnified enormously due to the face that the linear mass is so small. The magnitude of the gravitational constant in hyperspace can be estimated in the following manner. At the beginning of the 20th century, a man's parents were dying of tuberculosis. With their permission, he placed them and their beds on weighing scales. When each one passed away, each scale registered a drop in mass equal to 0.071 kilograms. This is the mass of the hyperspace energy being which resides in the physical body. Because hyperspace is co-dimensional with our dimension, the energy being interpenetrates the body and controls its movement.
[0008] Referring to FIG. 4, a human being has seven vortices (A through G) which are aligned along the centerline of the body. Each vortex is actually a co-gravitational field K which causes a pendulum placed in the field to spin in circles. For this reason, the K field has units of inverse seconds similar to an angular velocity. The vortex transports energy from our dimension to the energy being located in hyperspace. The gravitational field g and the co-gravitational field K are equivalent gravitationally to the electric E field and the magnetic B field found in electromagnetism. The equivalent gravitational solution to an electromagnetic problem can be obtained by substituting the following gravitational constants for the electromagnetic constants TABLE-US-00001 Electromagnetic Gravitational q (charge) m (mass) .rho. (volume charge density) .rho. (volume mass density) .sigma. (surface charge density) .sigma. (surface mass density) .lamda. (line charge density) .lamda. (line mass density) J (convection current density) J (mass current density) E (electric field) g (gravitational field) B (magnetic field) K (co-gravitational field) .epsilon..sub.0 (permittivity of space) -1/4.pi.G .mu..sub.0 (permeability of space) -4.pi.G/c.sup.2 -1/4.pi..epsilon..sub.0 or -.mu..sub.0 c.sup.2/4.pi. G (gravitational constant)
[0009] Referring to FIG. 5, each vortex is connected through the pineal gland by light cords to a separate hyperspace quantum well having its own frequency and dimension. The reason for this separation is that the conical spiritual eye, attached to vortex B, has to have its own energy structure which is different from vortex (A) which is connected to the quantum energy field in which the mental processes are developed. Due to the high speed of light in our dimension, the quantum wells are the size appropriate to molecules and atoms. In hyperspace, where the speed of light is one meter per second, the quantum wells are huge and can be manipulated. This manipulation has shown that the quantum wells are in the shape of a cube about a meter on a side. This makes the whole structure about seven meters tall for a volume of seven cubic meters. Thus the mass density .rho. of hyperspace is about .rho. h = .071 .times. .times. kg 7 .times. .times. m 3 = .01 .times. .times. kg m 3 which per unit area is the same value. Therefore the hyperspace gravitational constant is equal to G h = c 2 .OMEGA. h = ( 1 .times. .times. m s ) 2 .01 .times. .times. kg .times. / .times. m = 100 .times. .times. m 3 kg .times. .times. s 2 The enormous magnification of the gravitational constant is therefore of the order of G h G = 100 6.6732 10 - 11 .apprxeq. 1.5 10 12 The question is how does this amplified gravitational wave created by the rotating propellers and turbines get into hyperspace from our dimension?
[0010] The answer comes from experiments done using the ancient Chinese form of breathing known as Chi Kung. Using this breathing technique, we have been able to levitate the human body over six feet in the air. The internal temperature of the stomach is around 200 degrees Fahrenheit. By simultaneously squeezing the diaphragm to bring hot air up through the lungs, and breathing through the nose to bring cold air down, rotating vortices are generated in the lung passages when these two air masses meet and twist around each other as depicted in the famous Yin-Yang diagram. Because the lung has variable diameter passages from the large diameter at the throat to the final small air sacs, there is a spectrum of rotating frequencies.
[0011] From quantum physics it is known that if there is a temperature fluctuation occurring among a group of harmonic oscillators in the environment, then Planck's reduced constant is increased by the cotangent of the constant times the frequency .omega. of the oscillator divided by twice Boltzmann's constant k times the temperature T = .times. .times. coth .function. ( .omega. n 2 .times. kT )
[0012] The effect of increasing Planck's constant, referring to FIG. 6, can be seen in the tetrahedron diagram. This diagram, of which there are now over 4000, plots the natural logarithm of mass on the vertical axis versus the natural logarithm of wavelength on the horizontal axis. In terms of mathematics, it is a subspace logarithmic manifold which projects geometrically the physics constants into our 4D spacetime dimension. That is, it is the geometry of the tetrahedron circumscribed by the sphere that determines the mass of the proton and electron. The mass of the electron times its wavelength is equal to the mass of the proton times its wavelength which in turn is equal to Planck's constant h divided by the speed of light c m e .times. .lamda. e = m p .times. .lamda. p = h c Taking the natural logarithm of the above equation shows that the mass plus the wavelength is equal to what is termed the base constant ln .function. ( m e ) + ln .function. ( .lamda. e ) = ln .function. ( h c ) = - 95.91546344 which is represented in FIG. 6 by the 45 degree line (A) from point (a) on the horizontal axis to the vertical axis at point (b). The electron is located at point (c) which is the intersection of the electron wavelength (B) with line (A). The electron wavelength (B) reflects off the sphere (D) at points (d) and (e) and returns along line (C) as the electron mass. As shown in tetrahedron diagram tet0565, stored in the Library of Congress, the clockwise path of the electron transitions into the counter-clockwise path of the proton showing that the electron and proton are one and the same particle. Because the electron and proton travel in opposite directions along the path, they have the same charge but of opposite sign.
[0013] Our dimension is represented by Planck box (E) which is bounded by the Planck mass and the Planck wavelength. The Planck mass is equal to the linear mass of the universe times the Planck length which is the bottom limit of our dimension. The Planck wavelength is 2.pi. times the Planck length. Notice that the electron is located within the Planck box.
[0014] Referring to FIG. 7, if there is an increase in Planck's constant due to the temperature fluctuations among the harmonic oscillators, the 45 degree base line (A) moves to the left on the tetrahedron diagram as shown by line (F). Because of the increase in the base constant, there is a corresponding increase in the electron mass and wavelength. The electron moves from point (c) to point (f) which places it at the edge of the Planck box (F) which is the boundary between space and hyperspace. At point (f), the electron is essentially no longer in our dimension.
[0015] Referring to FIG. 8, imagine a box (A) filled with nine electron oscillators (B). If Planck's constant is increased near the three oscillators in the middle, these electrons will leave this dimension. This leaves six oscillators as shown in the box (C). However, box (C) is the equivalent of box (D) in which there are still nine positive mass oscillators together with 3 negative mass oscillators. Thus there is an accumulation of negative energy (-.rho.) when information is lost from the environment to another dimension.
[0016] Dr. Kip Thorne, who co-authored the book Gravitation with Dr. Archibald Wheeler of Princeton University, has shown in a General Relativity spacetime curvature calculation that negative energy is required to open and stabilize the throat of a wormhole between space and hyperspace. The accumulation of negative energy in the aforementioned example generates wormholes between into hyperspace. Hyperspace has a low energy density because of the reduced speed of light in that dimension. Ordinarily, energy would not flow from hyperspace to space because space has a higher potential than the potential of hyperspace. This, of course, is the reason that the body vortices can flow energy into the energy field of the human being who is located in hyperspace. By creating negative energy, the potential becomes reversed such that low density hyperspace energy flows into our dimension as seen by the positive head PE=.rho..sub.hyperspace-(-.rho..sub.space)=+2.rho. The low-density energy fills the body which allows a human being to float upwards like a helium balloon as verified by Chi Kung breathing as well as spinning on a motorized platform known as the Chakra Vortex Accelerator. The latter device resulted in the first mechanical means to produce anti-gravity.
[0017] The process of creating spinning thermal fluctuations is the same as found in the hot air vortices created by the jet airplanes landing at the airport near the road where the full-body teleportation occurred. Large vortices are created over the wing of the airplane at the same time that the turbine engines are spinning hot vortices into relatively cold air. These conditions produce wormholes between space and hyperspace. It takes a twin turboprop airplane landing behind the jet to generate the gravitational wave in the region where the wormholes have formed. The gravitational wave then traverses the wormholes into hyperspace, becoming highly amplified due to the change in linear mass and speed of light. Because the propeller blades are co-linear with the road, the gravitational wave travels in the direction along the road where it was encountered by the inventor.
[0018] From experiments with cavitating bubbles (see patent application Cavitating Oil Hyperspace Energy Generator), it was found that it is possible to produce a wormhole if the surfaces of the bubble collapse asymmetrically. A symmetric collapse of a spherical bubble produces enormous spacetime curvature distortions. An asymmetric collapse, using a magnetic field to distort the collapse, produces, in addition to the same severe spacetime distortions, negative energy as the bubble collapses. Due to some General Relativity considerations, the wormhole that is created starts rotating in a manner similar to the beacon light produced by a lighthouse.
[0019] Referring to FIG. 9, due to the forward helical motion (A) of the propellers (B) as the airplane crosses the road, the pulsed gravitational wave (C) is skewed backward at an angle (D). Due to the wormholes created by the presence of thermal vorticity fluctuations generated by the wing and turbines of the airplane, this skewed wave moves into hyperspace where it is highly magnified and detected by the inventor.
[0020] Referring to top view FIG. 10, the gravitational wave (A) causes a skewed compression and expansion of the hyperspace quantum wells (B) which constitute the human energy being. Due to this asymmetric distortion in the xy-plane, the quantum wells take the physical body out of dimension as long as the wave pulse is traveling with the human energy field. Once the back edge of the gravitational wave moves on past the quantum wells, the body is then brought back into dimension.
SUMMARY OF THE INVENTION
[0021] It is the object of this invention to teleport a human being from one location to another by creating a pulsed gravitational wave traveling through hyperspace that asymmetrically compresses and expands the quantum wells of the human energy being. This spacetime curvature distortion of the hyperspace quantum wells pulls the physical body out of dimension such that the human being is teleported along with the wave. As the pulsed wave moves on past the quantum wells, the human is brought back into dimension at some distant location. The invention requires (1) a device that will generate a wormhole between space and hyperspace, and (2) a device that will generate a gravitational wave which can be inserted through the wormhole.
[0022] Referring to FIG. 11, a magnetic vortex wormhole generator has already been developed which generates a wormhole between space and hyperspace as described in a previous patent application entitled Magnetic Vortex Wormhole Generator. Using this generator, it was found that smoke blown through one side of the coil does not appear on the other side of cylindrical coil. The smoke flows through the wormhole and appears in a hyperspace co-dimension. It was this experiment that resulted in making first contact with the androids of the Grey aliens who told me, in a remote viewing session, that "We saw you blowing smoke into hyperspace."
[0023] The wormhole generator consists of two concentric cylindrical coils (A,B), one of larger radius than the other, made of thin transformer iron laminate wrapped in opposite directions with one continuous wire driven by a sinusoidal current. The solenoidal coil generates a magnetic field through the laminate. Because the electrical current flows in opposite directions at different radii through the two windings, bucking electric fields (C) are created along the centerline of the generator. These radially-offset magnetic fields and bucking electric fields, as shown by a calculation using Einstein's General Theory of Relativity, generate both an enormous spiking spacetime curvature and negative energy at small radius along the centerline where the wormhole is formed. The gravitational wave generator is then coupled to this wormhole generator.
[0024] Referring to FIG. 12, it is known from gravitation physics that injecting an electromagnetic wave (A) into a hollow toroidal waveguide (B) produces a hyperbolic spacetime curvature stress (C) in the plane of the waveguide. The tips of the arrows indicate compression and the tail of the arrows indicate expansion or stretching of spacetime. The reason for this spacetime curvature is because the waveguide forces the electromagnetic wave to curve around and travel in a circle. Spacetime has to compensate for this toroidal-generated stress by creating hyperbolic lines of stress in the inner plane of the toroid so that the overall spacetime curvature is zero. For a greater gravitational effect, three toroidal waveguides, phased 120 degrees apart, are used to seal off the curvature.
[0025] Referring to FIG. 13, the three toroids create a rotating, twisting, vertical propagating gravitational field (A) through the centerline of the toroids provided that the period of the electromagnetic wave is twice the period of the gravitational wave. This phase relationship is adjusted by selecting the correct radius for the frequency of the monochromatic wave.
[0026] In order to effectively use this gravitational wave, referring to FIG. 14, three phased toroidal waveguides (A,B) are mounted at the top of each of two identical square granite obelisks (C,D). The two obelisks are offset by a short distance between them. As the vertical gravitational wave rotates around along the vertical axis inside the obelisk, the edges of the square obelisks are compressed and expanded such as to create two cylindrical asymmetric gravitational waves traveling radially outward.
[0027] Referring to FIG. 15, these waves meet to form a plane gravitational wave (A) which travels down the centerline between the two obelisks.
[0028] Referring to FIG. 16, the full body teleportation system consists of the twin granite obelisks (A,B) on which are mounted near the top of each the toroidal waveguides (C,D) which produce the pulsed gravitational waves (E,F) that run the length of the obelisks. Because the gravitational wave is rotating inside the obelisk, the granite stone undergoes a very small asymmetrical compression and expansion. A cylindrical gravitational wave propagates out from each obelisk such that along the centerline between the two there is generated a plane gravitational wave. This wave enters the wormhole (H) created by the magnetic vortex generator which is located a short distance from and parallel to the obelisks. The wave is amplified by a factor of almost 10 .sup.13 when it enters the hyperspace co-dimension.
A BRIEF DESCRIPTION OF THE DRAWINGS
[0029] FIG. 1. Perspective view of site where full-body teleportation occurred.
[0030] FIG. 2. Perspective view of gravitational wave generator.
[0031] FIG. 3. Planar view of gravitational wave generator.
[0032] FIG. 4. Perspective view of seven vortices of human energy being.
[0033] FIG. 5. Perspective view of seven large quantum wells of human energy being.
[0034] FIG. 6. Tetrahedron diagram showing Planck's constant and electron.
[0035] FIG. 7. Tetrahedron diagram showing electron moving out of dimension.
[0036] FIG. 8. Perspective view showing production of negative energy.
[0037] FIG. 9. Perspective view of skewed gravitational wave produced by propellers.
[0038] FIG. 10. Planar view of skewed quantum wells deformed by gravitational wave.
[0039] FIG. 11. Perspective view of magnetic vortex wormhole generator.
[0040] FIG. 12. Perspective view of hyperbolic lines of stress generated by toroidal waveguide.
[0041] FIG. 13. Perspective view of rotating, twisting, propagating gravitational wave generated by toroidal waveguides.
[0042] FIG. 14. Perspective view of toroidal waveguides attached to obelisks.
[0043] FIG. 15. Perspective view of gravitational wave generated by obelisks.
[0044] FIG. 16. Perspective view of magnetic vortex wormhole generator and obelisk gravitational wave generator.
DETAILED DESCRIPTION OF THE INVENTION
[0045] 1. The obelisks are quarried out of granite stone and cut with a large-diameter diamond saw that is used in highway construction. The beveled piece at the top is cut separately and cemented in place. A tapered aluminum bracket holds the toroids in place. [0046] 2. The electronics for the magnetic vortex generator are similar to that used in the patent application Magnetic Vortex Wormhole Generator. [0047] 3. The electronics for the toroidal waveguides is the familiar stub and coaxial cable driven by an amplifier and pulsed variable-frequency generator.
Friday, December 04, 2009
REC
I was happy and surprised to find 90% of the spanish horror movie REC uploaded on YouTube.
They took off part 1 but left the rest of the parts. Weirdos! Anyway I had a watch and I still preffered the english version of the movie, Quarantine, better sounding title too.
For the uninitiated, thats basically ...
Quarantine is the english remake of the Spanish horror flick REC. Apparently REC 2 has been made or is on the way.
For the links of the entire .... complete .... version of REC the movie:
http://www.youtube.com/watch?v=7l_zCiQ7pzA
Part 1s taken off but part 2 to 7 or 8s there, most parts are about 10 mins long.
PART 2 IS OUT:
http://www.upcominghorrormovies.com/movie/rec-2
After you're done watching that, check out the better trailer of REC 2:
http://www.youtube.com/watch?v=_vT6xy06dHA
Enjoy!
Thursday, November 19, 2009
The Exorcist
I recently prowled upon 'Possessed' by Thomas Allen and I hit google again for some research of my own and found the below interesting pertaining to 'The Exorcist'.
The book below isnt worth much because its a collection of short stories...it only mentions the true story. For the real thing, read 'Possessed' by Thomas Allen.
I wondered for a long time,
'Did 'The Exorcist' actually happen?'
'Was it real?'
'Was it based on a true story?'
I just happened to visit Lifeline in Liverpool and chanced upon this book (as naturally as my eyes dart towards any book with the word 'possession' in its title). And couldnt believe my luck that I found the whole story to be inspired by real events. It DID happen.
The best part is the books good. Real good. Not like 'The devil in Angela' by Alex Snobel. Ive yet to read 'Possession' by Peter James, which is most likely fiction based. The most interesting fact that revolves around these true stories is that the victims most always have dabbled in the occult. In both cases the little boy and the woman tried the ouija board many times. In the boys case, it was his own aunt (who was a Spiritualist) who introduced him to it. That sucks!
A tv show was made based on the book:
A made-for-television film entitled Possessed was broadcast on Showtime on October 22, 2000. It claimed to follow the true accounts that inspired Blatty to write The Exorcist. It was directed by Steven E. de Souza and written by de Souza and Michael Lazarou, from the book of the same name by Thomas B. Allen. Main characters were played by Timothy Dalton, Henry Czerny and Christopher Plummer.
Apparently there was a sequel to Blattys book:
" Blatty directed The Ninth Configuration, a post-Vietnam War drama set in a mental institution. Released in 1980, it was based on Blatty's novel of the same name. Though it contrasts sharply with the tone of The Exorcist, Blatty regards Configuration as its true sequel. The lead character is the astronaut from Chris' party, Lt. Cutshaw. "
The Ninth Configuration, (also known as Twinkle, Twinkle, "Killer" Kane
The Ninth Configuration
Theatrical release poster
The first half of the film has the predominant tone and style of a comic farce. In the second half, the film becomes darker as it delves deeper into its central issues of human suffering, sacrifice and faith. The film also frequently blurs the line between the sane and the insane.
William Peter Blatty once referred to The Ninth Configuration as the true sequel to The Exorcist, and has stated that he intended the character of Captain Cutshaw to be the same astronaut whom a sleepwalking Regan in The Exorcist warns, "You're going to die up there." In The Ninth Configuration, Cutshaw mentions a fear of dying in space that is almost certainly a reference to Regan's line in the previous film. However, the characters were played by different actors, and the astronaut in The Exorcist is not given a name onscreen or by the credits.
Although The Ninth Configuration is quite dissimilar to The Exorcist in terms of story and tone, both films feature theological discussions between their respective characters which address questions of faith, the mystery of goodness vs evil, and the existence of God and the Devil. The motif of a saint's medallion as a symbol of faith appears in both The Exorcist and The Ninth Configuration; also of interest is the fact that some dialogue from Blatty's discarded, first-draft screenplay for The Exorcist was re-used in The Ninth Configuration.
From the original Exorcist screenplay:
'The Exorcist' Movie trivia:
- The bedroom set had to be refrigerated to capture the authentic icy breath of the actors in the exorcizing scenes, the bedroom scenes along with many other scenes were filmed in the basement of Fordham University in New York. The temperature was brought so low that a thin layer of snow fell onto the set one morning. Linda Blair, who was only in a thin nightgown, says to this day she cannot stand being cold.
- The movie's eerie opening sequence was filmed in the Iraqi town of Sinjar, near the Syrian border. The people of Sinjar are mostly Kurdish members of the ancient Yezidi sect, which worships a deity often equated with the Devil.[5] The archaeological dig site seen at the beginning of the movie is the actual site of ancient Nineveh in Hatra.
Blattys actually going to re-make 'The Exorcist' into a mini series:
"In November 2009 was announced that William Peter Blatty planned a miniseries of his film"
2.
3.
The book below isnt worth much because its a collection of short stories...it only mentions the true story. For the real thing, read 'Possessed' by Thomas Allen.
I wondered for a long time,
'Did 'The Exorcist' actually happen?'
'Was it real?'
'Was it based on a true story?'
I just happened to visit Lifeline in Liverpool and chanced upon this book (as naturally as my eyes dart towards any book with the word 'possession' in its title). And couldnt believe my luck that I found the whole story to be inspired by real events. It DID happen.
The best part is the books good. Real good. Not like 'The devil in Angela' by Alex Snobel. Ive yet to read 'Possession' by Peter James, which is most likely fiction based. The most interesting fact that revolves around these true stories is that the victims most always have dabbled in the occult. In both cases the little boy and the woman tried the ouija board many times. In the boys case, it was his own aunt (who was a Spiritualist) who introduced him to it. That sucks!
A tv show was made based on the book:
A made-for-television film entitled Possessed was broadcast on Showtime on October 22, 2000. It claimed to follow the true accounts that inspired Blatty to write The Exorcist. It was directed by Steven E. de Souza and written by de Souza and Michael Lazarou, from the book of the same name by Thomas B. Allen. Main characters were played by Timothy Dalton, Henry Czerny and Christopher Plummer.
Apparently there was a sequel to Blattys book:
" Blatty directed The Ninth Configuration, a post-Vietnam War drama set in a mental institution. Released in 1980, it was based on Blatty's novel of the same name. Though it contrasts sharply with the tone of The Exorcist, Blatty regards Configuration as its true sequel. The lead character is the astronaut from Chris' party, Lt. Cutshaw. "
The Ninth Configuration, (also known as Twinkle, Twinkle, "Killer" Kane
The Ninth Configuration
Theatrical release poster
The first half of the film has the predominant tone and style of a comic farce. In the second half, the film becomes darker as it delves deeper into its central issues of human suffering, sacrifice and faith. The film also frequently blurs the line between the sane and the insane.
Synopsis
Colonel Kane (Stacy Keach), a Marine psychiatrist suffering from nightmares, arrives at a castle in the American Pacific Northwest where shell-shocked and insane soldiers from the Vietnam war are being treated. The castle's staff has been unable to control the patients, many of whom are suspected of faking their illness to get out of combat. The permissive Kane opens himself up to listen to anything the soldiers have to say to him in an effort to heal them, while at the same time suffering from his own demons.William Peter Blatty once referred to The Ninth Configuration as the true sequel to The Exorcist, and has stated that he intended the character of Captain Cutshaw to be the same astronaut whom a sleepwalking Regan in The Exorcist warns, "You're going to die up there." In The Ninth Configuration, Cutshaw mentions a fear of dying in space that is almost certainly a reference to Regan's line in the previous film. However, the characters were played by different actors, and the astronaut in The Exorcist is not given a name onscreen or by the credits.
Although The Ninth Configuration is quite dissimilar to The Exorcist in terms of story and tone, both films feature theological discussions between their respective characters which address questions of faith, the mystery of goodness vs evil, and the existence of God and the Devil. The motif of a saint's medallion as a symbol of faith appears in both The Exorcist and The Ninth Configuration; also of interest is the fact that some dialogue from Blatty's discarded, first-draft screenplay for The Exorcist was re-used in The Ninth Configuration.
From the original Exorcist screenplay:
From the final version of The Ninth Configuration:Chris MacNeil: If you're asking if I believe in the devil, the answer is yes - yeah, that I believe. The devil keeps doing commercials.
Father Dyer: But if all the evil in the world makes you think that there might be a devil - then how do you account for all of the good?
andCaptain Cutshaw: I believe in the Devil alright. And you know why? Because the prick keeps doing commercials!
Colonel Kane: You're convinced that God is dead because there's evil in the world.
Captain Cutshaw: Correct.
Colonel Kane: Then why don't you think He's alive because of the goodness in the world?
'The Exorcist' Movie trivia:
- The bedroom set had to be refrigerated to capture the authentic icy breath of the actors in the exorcizing scenes, the bedroom scenes along with many other scenes were filmed in the basement of Fordham University in New York. The temperature was brought so low that a thin layer of snow fell onto the set one morning. Linda Blair, who was only in a thin nightgown, says to this day she cannot stand being cold.
- The movie's eerie opening sequence was filmed in the Iraqi town of Sinjar, near the Syrian border. The people of Sinjar are mostly Kurdish members of the ancient Yezidi sect, which worships a deity often equated with the Devil.[5] The archaeological dig site seen at the beginning of the movie is the actual site of ancient Nineveh in Hatra.
Blattys actually going to re-make 'The Exorcist' into a mini series:
"In November 2009 was announced that William Peter Blatty planned a miniseries of his film"
Urban legends and on-set incidents
Some claim the film was cursed. Blatty has stated on video[7] some strange occurrences. Burstyn indicated some rumors to be true in her 2006 autobiography Lessons in Becoming Myself. The interior sets of the MacNeil residence, except for Regan's bedroom, were destroyed by a studio fire and had to be rebuilt. Friedkin has claimed that a priest was brought in numerous times to bless the set. Other issues include Blair's harness breaking when she is thrashing on the bed, injuring the actress. Burstyn noted she was slightly hurt when Regan throws her across the room. Actor Jack MacGowran (Burke Dennings) died during filming.The book revolves around a reporter trying to track down the real person upon which the movie The Exorcist was based, and discovers that there was more to the story. During the investigation, different tales are told by “witnesses” from their perspective that lead the reporter to the real-life inspiration.
Interestingly, the studio plans to ignore the actual newspaper articles that exist in relation to the case.
Parallel Imagery
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| In Iraq, Father Merrin finds the small amulet in his diggings and senses evil, much like Lieutenant Kinderman does when he finds one of Regan’s clay creations at the bottom of the Washington steps, where two deaths occur. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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| This one is pretty self explanatory. In the Iraq opening again, a steel worker removes his hat and gazes over to Father Merrin, revealing a blank, white eye. Of course, Regan’s eyes will later resemble this in her demonic state. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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| Ever noticed that Regan’s creation kind of looks like the Pazuzu statue from the Iraq scenes? Pazuzu is the demon that possess young Regan, using the name Captain Howdy. Regan’s ‘art’ can also be associated with the desecration of the Mary statue in the church. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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| In the Iraq opening, Father Merrin is examining some findings when the clock behind him stops. This same clock appears (for a second) during Father Karras’ dream after his mother dies. The two characters don’t meet until the end part of the film, but the image of the stopped clock brings them fatefully together for the viewers. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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| This is one of my favorites. Chris is woken early in the morning to start shooting and rolls over to find Regan has snuck into bed with her. While Chris is on the phone, we clearly see a picture frame on her bedside dresser with a photo of Regan inside. Later, during the hypnotism, Chris stands in front of the photograph (which is blurred out in the background) and she is unknowingly holding the same pose. This same pose is also freakishly close to the pose Regan is sitting in after killing Father Merrin near the end of the film. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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During Father Karras’ dream, we see a shot of his mother against a pitch black background, almost exactly like the Captain Howdy subliminals that occur during the film. This is a little freaky as later on, during the exorcism, Captain Howdy/Pazuzu will use Karras’ dead mother against him in a bid to break his faith."Subliminal Images"Alleged subliminal imageryThe Exorcist was also at the center of controversy due to its alleged use of subliminal imagery. A detailed article in the July / August 1991 issue of Video Watchdog examined the phenomenon, providing still frames identifying several usages of subliminal "flashing" throughout the film.[30] In an interview from the same issue, Friedkin explained, "I saw subliminal cuts in a number of films before I ever put them in The Exorcist, and I thought it was a very effective storytelling device... The subliminal editing in The Exorcist was done for dramatic effect — to create, achieve, and sustain a kind of dreamlike state."[31] However, these quick, scary flashes have been labeled "[not] truly subliminal"[32] and "quasi-" or "semi-subliminal"[33]. True subliminal imagery must be, by definition, below the threshold of awareness.[34][35][36][37] In an interview in a 1999 book about the movie, The Exorcist author William Blatty addressed the controversy by explaining that, "There are no subliminal images. If you can see it, it's not subliminal."[38]As fans of the film know, The Exorcist is littered with many clever subliminal images that assist in telling the compelling story. Many different people have different opinions of these subliminal moments and they were definitely a point of controversy when the film was released in 1973. Here, I have listed all the subliminal images I have found in the latest version of The Exorcist. The DVD time is relevant to The Version You’ve Never Seen edition.
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1.
Product Description
If you think ghosts are only responsible for hauntings, think again. The Demonologist reveals the grave religious process behind supernatural events and how it can happen to you. Over twenty years in print, here is the original uncut version of this classic text. Illustrated with photographs of phenomena in progress, every sentence in the book is true. Used as a text in seminaries and classrooms, this is one book you canÂ’t put down.
About the Author
For over five decades Ed and Loraine Warren have been considered America?s foremost experts on demonology and exorcism. With over 3,000 investigations to their credit, they reveal what actually breaks the peace in haunted houses. Expertly written by Gerald Daniel Brittle, a nonfiction writer with advanced degrees in literature and psychology specializing in mystical theology.
Product Description
The Devil Is Alive and Well
In The Dark Sacrament, coauthors David M. Kiely and Christina McKenna faithfully recount ten contemporary cases of demon possession, haunted houses, and exorcisms, and profile the work of two living, active exorcists. The authors serve as trustworthy guides on this suspense-filled journey into the bizarre, offering concrete advice on how to avoid falling prey to the dark side.
In The Dark Sacrament, coauthors David M. Kiely and Christina McKenna faithfully recount ten contemporary cases of demon possession, haunted houses, and exorcisms, and profile the work of two living, active exorcists. The authors serve as trustworthy guides on this suspense-filled journey into the bizarre, offering concrete advice on how to avoid falling prey to the dark side.
About the Author
David M. Kiely's long career as a freelance writer has included biographies, short stories, crime novels, mysteries, and several works of nonfiction. When his spouse and coauthor, Christina McKenna, was eleven, a paranormal "visitor" tormented her home for six weeks. Only through the intervention of an exorcist could the spirit be expelled. The authors live in Rostrevor, Northern Ireland.3.
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