Tuesday, December 22, 2009

Full Body Teleportation System


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United States Patent Application 20060071122
Kind Code A1
St. Clair; John Quincy April 6, 2006

Full body teleportation system

Abstract
A pulsed gravitational wave wormhole generator system that teleports a human being through hyperspace from one location to another.

Inventors: St. Clair; John Quincy; (San Juan, PR)  
Correspondence Name and Address:
JOHN ST. CLAIR;4A
    52 KINGS COURT
    SAN JUAN
    PR
    00911
    US
Serial No.: 953212
Series Code: 10
Filed: September 29, 2004

U.S. Current Class: 244/62
U.S. Class at Publication: 244/062
Intern'l Class: B64C 39/00 20060101 B64C039/00

Claims



1. A full body teleportation system consisting of: generating a pulsed gravitational wave which propagates through a magnetic vortex wormhole generator; and generating a wormhole with the magnetic vortex generator whereby the pulsed gravitational wave traverses through the wormhole and enters into hyperspace where the wave is enormously magnified due to the lower speed of light in that dimension.

2. The method of claim 1, wherein the step of generating the pulsed gravitational wave comprises: using two granite stone obelisks; mounting monochromatic-wave toroidal waveguides on top of each obelisk to create a rotating, twisting, propagating gravitational wave through the vertical axis of each obelisk; and creating a cylindrical compression and expansion in each obelisk to produce a plane gravitational wave traveling down the centerline between the two obelisks.

3. The method of claim 1, wherein the step of generating a wormhole into hyperspace comprises: using two concentric cylindrical solenoidal coils of different radii connected by a single wire wrapped in opposite directions on thin iron transformer laminate; generating bucking electric fields down the centerline of the vortex generator which creates a spacetime curvature distortion with negative energy in accordance with Einstein's General Theory of Relativity.

4. A teleportation system comprising: generating a gravitational wave traveling through hyperspace which interacts with the human energy being; and pulling the human energy being and physical body out of dimension when interacting with the pulsed gravitational wave such that the person is teleported from one location to another through hyperspace and back again into our 4D spacetime dimension.
Description



BRIEF SUMMARY OF THE INVENTION

[0001] This invention is a system that teleports a human being through hyperspace from one location to another using a pulsed gravitational wave traveling through hyperspace.

BACKGROUND OF THE INVENTION

[0002] The basis for this invention is an event, referring to FIG. 1, occurring on May 2, 2004, in which the inventor ("he") personally experienced a full-body teleportation while walking to the bus stop (A) along a road (B) that runs perpendicular to the nearby commercial airport runways where planes are landing. There is a wide iron grating (D) for water drainage that crosses the road at the center of the bus stop. The grating width is such that one has to make a concerted effort to jump across it in order to get from one side to the other. Approximately 50 meters from the iron grating, he (E) felt a vertical wave (F), similar to a flag waving in the breeze, traveling down the street toward the bus stop. The wave velocity was about 1 meter per second, which was slightly faster than his walking speed. In the next instance, he (G) found himself down the street near the corner of the next block. Realizing that he had passed the bus stop, he turned around to see the iron grating approximately 50 meters up the street in back of him. Because there was no recollection of having jumped across the iron grating nor of having passed the bus stop's yellow marker line, he realized that he had been teleported a distance of 100 meters while moving along with the traveling wave. It was obvious that the wave was pulsed because the front edge overtook the inventor, moved with him momentarily, and then the back edge of wave left him as it moved on down the street. While contemplating this sequence of events, he then looked up and saw in a span of a few seconds a twin-turboprop airplane (C) in the distance crossing above the road while making a shallow descent in order to land at the airport.

[0003] It took a number of days in order to understand this sequence of events. The explanation involves knowledge of a wide range of subjects such as gravitation physics, hyperspace physics, wormhole electromagnetic theory and experimentation, quantum physics, and the nature of the human energy field.

[0004] It is obvious from the above scenario that the airplane momentarily crossing perpendicular to the road generates the aforementioned pulse. Because the airplane has an engine on each wing, there are two propellers which conceivably are rotating out-of-phase with each other. That is, the blade of one propeller could be pointing up and the equivalent blade on the other engine could be pointing in a slightly different direction. Notice that the tip of the blade traces out a helix as the plane is landing.

[0005] In gravitation physics, referring to FIG. 2, it is known that two masses of mass m1 and m2 (A,B) attached by lever arms slightly offset by an angle .delta..theta. along the radial direction to the rotating shaft (C), will produce a gravitational wave (D) traveling perpendicular to the shaft. The mass and wave are referred to as the source and receptor respectively. Referring to a side view looking along the shaft FIG. 3, the product of the mass m times the angular acceleration a is a constant such that m1a1 is equal to m2a2. The distance between the masses is length L, which makes an angle .theta. with the horizontal axis. The difference in time of travel to the receptor gives rise to a difference in phase .delta..theta. equal to the angular velocity .omega. of the rotating shaft times the length L times the cosine of the angle .theta..delta..theta.=.omega.L cos(.theta.)

[0006] At the receptor, the amplitude of the wave is equal to the mass times the acceleration times the phase difference divided by the radius r to the receptor A = m 1 .times. a 1 r .times. .delta..theta. .apprxeq. ( m .times. .times. .omega. .times. .times. L .times. .times. sin .function. ( .theta. ) r ) .times. ( .omega. .times. .times. L .times. .times. cos .function. ( .theta. ) ) = m .times. .times. .omega. 2 .times. L 2 .times. sin .function. ( 2 .times. .theta. ) r Even though the turboprop airplane engines have a high rotational speed and a large separation distance between masses, the gravitational wave which is produced is small and not noticed. The problem is that the gravitational constant G in this dimension has such a small value equal to the speed of light c squared divided by the linear mass .OMEGA. of the universe G = c 2 .OMEGA. = ( 299792458 .times. .times. m .times. / .times. s ) 2 1.346812891 10 27 .times. .times. kg .times. / .times. m = 6.673200002 10 - 11 .times. .times. m 3 kg .times. .times. s 2

[0007] On the other hand, a gravitational wave traveling in hyperspace would be magnified enormously due to the face that the linear mass is so small. The magnitude of the gravitational constant in hyperspace can be estimated in the following manner. At the beginning of the 20th century, a man's parents were dying of tuberculosis. With their permission, he placed them and their beds on weighing scales. When each one passed away, each scale registered a drop in mass equal to 0.071 kilograms. This is the mass of the hyperspace energy being which resides in the physical body. Because hyperspace is co-dimensional with our dimension, the energy being interpenetrates the body and controls its movement.

[0008] Referring to FIG. 4, a human being has seven vortices (A through G) which are aligned along the centerline of the body. Each vortex is actually a co-gravitational field K which causes a pendulum placed in the field to spin in circles. For this reason, the K field has units of inverse seconds similar to an angular velocity. The vortex transports energy from our dimension to the energy being located in hyperspace. The gravitational field g and the co-gravitational field K are equivalent gravitationally to the electric E field and the magnetic B field found in electromagnetism. The equivalent gravitational solution to an electromagnetic problem can be obtained by substituting the following gravitational constants for the electromagnetic constants TABLE-US-00001 Electromagnetic Gravitational q (charge) m (mass) .rho. (volume charge density) .rho. (volume mass density) .sigma. (surface charge density) .sigma. (surface mass density) .lamda. (line charge density) .lamda. (line mass density) J (convection current density) J (mass current density) E (electric field) g (gravitational field) B (magnetic field) K (co-gravitational field) .epsilon..sub.0 (permittivity of space) -1/4.pi.G .mu..sub.0 (permeability of space) -4.pi.G/c.sup.2 -1/4.pi..epsilon..sub.0 or -.mu..sub.0 c.sup.2/4.pi. G (gravitational constant)

[0009] Referring to FIG. 5, each vortex is connected through the pineal gland by light cords to a separate hyperspace quantum well having its own frequency and dimension. The reason for this separation is that the conical spiritual eye, attached to vortex B, has to have its own energy structure which is different from vortex (A) which is connected to the quantum energy field in which the mental processes are developed. Due to the high speed of light in our dimension, the quantum wells are the size appropriate to molecules and atoms. In hyperspace, where the speed of light is one meter per second, the quantum wells are huge and can be manipulated. This manipulation has shown that the quantum wells are in the shape of a cube about a meter on a side. This makes the whole structure about seven meters tall for a volume of seven cubic meters. Thus the mass density .rho. of hyperspace is about .rho. h = .071 .times. .times. kg 7 .times. .times. m 3 = .01 .times. .times. kg m 3 which per unit area is the same value. Therefore the hyperspace gravitational constant is equal to G h = c 2 .OMEGA. h = ( 1 .times. .times. m s ) 2 .01 .times. .times. kg .times. / .times. m = 100 .times. .times. m 3 kg .times. .times. s 2 The enormous magnification of the gravitational constant is therefore of the order of G h G = 100 6.6732 10 - 11 .apprxeq. 1.5 10 12 The question is how does this amplified gravitational wave created by the rotating propellers and turbines get into hyperspace from our dimension?

[0010] The answer comes from experiments done using the ancient Chinese form of breathing known as Chi Kung. Using this breathing technique, we have been able to levitate the human body over six feet in the air. The internal temperature of the stomach is around 200 degrees Fahrenheit. By simultaneously squeezing the diaphragm to bring hot air up through the lungs, and breathing through the nose to bring cold air down, rotating vortices are generated in the lung passages when these two air masses meet and twist around each other as depicted in the famous Yin-Yang diagram. Because the lung has variable diameter passages from the large diameter at the throat to the final small air sacs, there is a spectrum of rotating frequencies.

[0011] From quantum physics it is known that if there is a temperature fluctuation occurring among a group of harmonic oscillators in the environment, then Planck's reduced constant is increased by the cotangent of the constant times the frequency .omega. of the oscillator divided by twice Boltzmann's constant k times the temperature T = .times. .times. coth .function. ( .omega. n 2 .times. kT )

[0012] The effect of increasing Planck's constant, referring to FIG. 6, can be seen in the tetrahedron diagram. This diagram, of which there are now over 4000, plots the natural logarithm of mass on the vertical axis versus the natural logarithm of wavelength on the horizontal axis. In terms of mathematics, it is a subspace logarithmic manifold which projects geometrically the physics constants into our 4D spacetime dimension. That is, it is the geometry of the tetrahedron circumscribed by the sphere that determines the mass of the proton and electron. The mass of the electron times its wavelength is equal to the mass of the proton times its wavelength which in turn is equal to Planck's constant h divided by the speed of light c m e .times. .lamda. e = m p .times. .lamda. p = h c Taking the natural logarithm of the above equation shows that the mass plus the wavelength is equal to what is termed the base constant ln .function. ( m e ) + ln .function. ( .lamda. e ) = ln .function. ( h c ) = - 95.91546344 which is represented in FIG. 6 by the 45 degree line (A) from point (a) on the horizontal axis to the vertical axis at point (b). The electron is located at point (c) which is the intersection of the electron wavelength (B) with line (A). The electron wavelength (B) reflects off the sphere (D) at points (d) and (e) and returns along line (C) as the electron mass. As shown in tetrahedron diagram tet0565, stored in the Library of Congress, the clockwise path of the electron transitions into the counter-clockwise path of the proton showing that the electron and proton are one and the same particle. Because the electron and proton travel in opposite directions along the path, they have the same charge but of opposite sign.

[0013] Our dimension is represented by Planck box (E) which is bounded by the Planck mass and the Planck wavelength. The Planck mass is equal to the linear mass of the universe times the Planck length which is the bottom limit of our dimension. The Planck wavelength is 2.pi. times the Planck length. Notice that the electron is located within the Planck box.

[0014] Referring to FIG. 7, if there is an increase in Planck's constant due to the temperature fluctuations among the harmonic oscillators, the 45 degree base line (A) moves to the left on the tetrahedron diagram as shown by line (F). Because of the increase in the base constant, there is a corresponding increase in the electron mass and wavelength. The electron moves from point (c) to point (f) which places it at the edge of the Planck box (F) which is the boundary between space and hyperspace. At point (f), the electron is essentially no longer in our dimension.

[0015] Referring to FIG. 8, imagine a box (A) filled with nine electron oscillators (B). If Planck's constant is increased near the three oscillators in the middle, these electrons will leave this dimension. This leaves six oscillators as shown in the box (C). However, box (C) is the equivalent of box (D) in which there are still nine positive mass oscillators together with 3 negative mass oscillators. Thus there is an accumulation of negative energy (-.rho.) when information is lost from the environment to another dimension.

[0016] Dr. Kip Thorne, who co-authored the book Gravitation with Dr. Archibald Wheeler of Princeton University, has shown in a General Relativity spacetime curvature calculation that negative energy is required to open and stabilize the throat of a wormhole between space and hyperspace. The accumulation of negative energy in the aforementioned example generates wormholes between into hyperspace. Hyperspace has a low energy density because of the reduced speed of light in that dimension. Ordinarily, energy would not flow from hyperspace to space because space has a higher potential than the potential of hyperspace. This, of course, is the reason that the body vortices can flow energy into the energy field of the human being who is located in hyperspace. By creating negative energy, the potential becomes reversed such that low density hyperspace energy flows into our dimension as seen by the positive head PE=.rho..sub.hyperspace-(-.rho..sub.space)=+2.rho. The low-density energy fills the body which allows a human being to float upwards like a helium balloon as verified by Chi Kung breathing as well as spinning on a motorized platform known as the Chakra Vortex Accelerator. The latter device resulted in the first mechanical means to produce anti-gravity.

[0017] The process of creating spinning thermal fluctuations is the same as found in the hot air vortices created by the jet airplanes landing at the airport near the road where the full-body teleportation occurred. Large vortices are created over the wing of the airplane at the same time that the turbine engines are spinning hot vortices into relatively cold air. These conditions produce wormholes between space and hyperspace. It takes a twin turboprop airplane landing behind the jet to generate the gravitational wave in the region where the wormholes have formed. The gravitational wave then traverses the wormholes into hyperspace, becoming highly amplified due to the change in linear mass and speed of light. Because the propeller blades are co-linear with the road, the gravitational wave travels in the direction along the road where it was encountered by the inventor.

[0018] From experiments with cavitating bubbles (see patent application Cavitating Oil Hyperspace Energy Generator), it was found that it is possible to produce a wormhole if the surfaces of the bubble collapse asymmetrically. A symmetric collapse of a spherical bubble produces enormous spacetime curvature distortions. An asymmetric collapse, using a magnetic field to distort the collapse, produces, in addition to the same severe spacetime distortions, negative energy as the bubble collapses. Due to some General Relativity considerations, the wormhole that is created starts rotating in a manner similar to the beacon light produced by a lighthouse.

[0019] Referring to FIG. 9, due to the forward helical motion (A) of the propellers (B) as the airplane crosses the road, the pulsed gravitational wave (C) is skewed backward at an angle (D). Due to the wormholes created by the presence of thermal vorticity fluctuations generated by the wing and turbines of the airplane, this skewed wave moves into hyperspace where it is highly magnified and detected by the inventor.

[0020] Referring to top view FIG. 10, the gravitational wave (A) causes a skewed compression and expansion of the hyperspace quantum wells (B) which constitute the human energy being. Due to this asymmetric distortion in the xy-plane, the quantum wells take the physical body out of dimension as long as the wave pulse is traveling with the human energy field. Once the back edge of the gravitational wave moves on past the quantum wells, the body is then brought back into dimension.

SUMMARY OF THE INVENTION

[0021] It is the object of this invention to teleport a human being from one location to another by creating a pulsed gravitational wave traveling through hyperspace that asymmetrically compresses and expands the quantum wells of the human energy being. This spacetime curvature distortion of the hyperspace quantum wells pulls the physical body out of dimension such that the human being is teleported along with the wave. As the pulsed wave moves on past the quantum wells, the human is brought back into dimension at some distant location. The invention requires (1) a device that will generate a wormhole between space and hyperspace, and (2) a device that will generate a gravitational wave which can be inserted through the wormhole.

[0022] Referring to FIG. 11, a magnetic vortex wormhole generator has already been developed which generates a wormhole between space and hyperspace as described in a previous patent application entitled Magnetic Vortex Wormhole Generator. Using this generator, it was found that smoke blown through one side of the coil does not appear on the other side of cylindrical coil. The smoke flows through the wormhole and appears in a hyperspace co-dimension. It was this experiment that resulted in making first contact with the androids of the Grey aliens who told me, in a remote viewing session, that "We saw you blowing smoke into hyperspace."

[0023] The wormhole generator consists of two concentric cylindrical coils (A,B), one of larger radius than the other, made of thin transformer iron laminate wrapped in opposite directions with one continuous wire driven by a sinusoidal current. The solenoidal coil generates a magnetic field through the laminate. Because the electrical current flows in opposite directions at different radii through the two windings, bucking electric fields (C) are created along the centerline of the generator. These radially-offset magnetic fields and bucking electric fields, as shown by a calculation using Einstein's General Theory of Relativity, generate both an enormous spiking spacetime curvature and negative energy at small radius along the centerline where the wormhole is formed. The gravitational wave generator is then coupled to this wormhole generator.

[0024] Referring to FIG. 12, it is known from gravitation physics that injecting an electromagnetic wave (A) into a hollow toroidal waveguide (B) produces a hyperbolic spacetime curvature stress (C) in the plane of the waveguide. The tips of the arrows indicate compression and the tail of the arrows indicate expansion or stretching of spacetime. The reason for this spacetime curvature is because the waveguide forces the electromagnetic wave to curve around and travel in a circle. Spacetime has to compensate for this toroidal-generated stress by creating hyperbolic lines of stress in the inner plane of the toroid so that the overall spacetime curvature is zero. For a greater gravitational effect, three toroidal waveguides, phased 120 degrees apart, are used to seal off the curvature.

[0025] Referring to FIG. 13, the three toroids create a rotating, twisting, vertical propagating gravitational field (A) through the centerline of the toroids provided that the period of the electromagnetic wave is twice the period of the gravitational wave. This phase relationship is adjusted by selecting the correct radius for the frequency of the monochromatic wave.

[0026] In order to effectively use this gravitational wave, referring to FIG. 14, three phased toroidal waveguides (A,B) are mounted at the top of each of two identical square granite obelisks (C,D). The two obelisks are offset by a short distance between them. As the vertical gravitational wave rotates around along the vertical axis inside the obelisk, the edges of the square obelisks are compressed and expanded such as to create two cylindrical asymmetric gravitational waves traveling radially outward.

[0027] Referring to FIG. 15, these waves meet to form a plane gravitational wave (A) which travels down the centerline between the two obelisks.

[0028] Referring to FIG. 16, the full body teleportation system consists of the twin granite obelisks (A,B) on which are mounted near the top of each the toroidal waveguides (C,D) which produce the pulsed gravitational waves (E,F) that run the length of the obelisks. Because the gravitational wave is rotating inside the obelisk, the granite stone undergoes a very small asymmetrical compression and expansion. A cylindrical gravitational wave propagates out from each obelisk such that along the centerline between the two there is generated a plane gravitational wave. This wave enters the wormhole (H) created by the magnetic vortex generator which is located a short distance from and parallel to the obelisks. The wave is amplified by a factor of almost 10 .sup.13 when it enters the hyperspace co-dimension.

A BRIEF DESCRIPTION OF THE DRAWINGS

[0029] FIG. 1. Perspective view of site where full-body teleportation occurred.

[0030] FIG. 2. Perspective view of gravitational wave generator.

[0031] FIG. 3. Planar view of gravitational wave generator.

[0032] FIG. 4. Perspective view of seven vortices of human energy being.

[0033] FIG. 5. Perspective view of seven large quantum wells of human energy being.

[0034] FIG. 6. Tetrahedron diagram showing Planck's constant and electron.

[0035] FIG. 7. Tetrahedron diagram showing electron moving out of dimension.

[0036] FIG. 8. Perspective view showing production of negative energy.

[0037] FIG. 9. Perspective view of skewed gravitational wave produced by propellers.

[0038] FIG. 10. Planar view of skewed quantum wells deformed by gravitational wave.

[0039] FIG. 11. Perspective view of magnetic vortex wormhole generator.

[0040] FIG. 12. Perspective view of hyperbolic lines of stress generated by toroidal waveguide.

[0041] FIG. 13. Perspective view of rotating, twisting, propagating gravitational wave generated by toroidal waveguides.

[0042] FIG. 14. Perspective view of toroidal waveguides attached to obelisks.

[0043] FIG. 15. Perspective view of gravitational wave generated by obelisks.

[0044] FIG. 16. Perspective view of magnetic vortex wormhole generator and obelisk gravitational wave generator.

DETAILED DESCRIPTION OF THE INVENTION

[0045] 1. The obelisks are quarried out of granite stone and cut with a large-diameter diamond saw that is used in highway construction. The beveled piece at the top is cut separately and cemented in place. A tapered aluminum bracket holds the toroids in place. [0046] 2. The electronics for the magnetic vortex generator are similar to that used in the patent application Magnetic Vortex Wormhole Generator. [0047] 3. The electronics for the toroidal waveguides is the familiar stub and coaxial cable driven by an amplifier and pulsed variable-frequency generator.

* * * * *

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Friday, December 04, 2009

REC

http://wutchalookinat.files.wordpress.com/2007/12/rec_movie_animated01.gif



http://iconsoffright.com/news/rec-us-DVD.jpg


http://www.moviesonline.ca/movie-gallery/albums/REC/RECstill02.jpg


I was happy and surprised to find 90% of the spanish horror movie REC uploaded on YouTube.

They took off part 1 but left the rest of the parts. Weirdos! Anyway I had a watch and I still preffered the english version of the movie, Quarantine, better sounding title too.

For the uninitiated, thats basically ...

Quarantine is the english remake of the Spanish horror flick REC. Apparently REC 2 has been made or is on the way.

For the links of the entire .... complete .... version of REC the movie:

http://www.youtube.com/watch?v=7l_zCiQ7pzA

Part 1s taken off but part 2 to 7 or 8s there, most parts are about 10 mins long.


PART 2 IS OUT:

http://www.upcominghorrormovies.com/movie/rec-2

After you're done watching that, check out the better trailer of REC 2:

http://www.youtube.com/watch?v=_vT6xy06dHA

Enjoy!

Thursday, November 19, 2009

The Exorcist

I recently prowled upon 'Possessed' by Thomas Allen and I hit google again for some research of my own and found the below interesting pertaining to 'The Exorcist'.

The book below isnt worth much because its a collection of short stories...it only mentions the true story. For the real thing, read 'Possessed' by Thomas Allen.

I wondered for a long time,

'Did 'The Exorcist' actually happen?'

'Was it real?'

'Was it based on a true story?'

I just happened to visit Lifeline in Liverpool and chanced upon this book (as naturally as my eyes dart towards any book with the word 'possession' in its title). And couldnt believe my luck that I found the whole story to be inspired by real events. It DID happen.

The best part is the books good. Real good. Not like 'The devil in Angela' by Alex Snobel. Ive yet to read 'Possession' by Peter James, which is most likely fiction based. The most interesting fact that revolves around these true stories is that the victims most always have dabbled in the occult. In both cases the little boy and the woman tried the ouija board many times. In the boys case, it was his own aunt (who was a Spiritualist) who introduced him to it. That sucks!

A tv show was made based on the book:

A made-for-television film entitled Possessed was broadcast on Showtime on October 22, 2000. It claimed to follow the true accounts that inspired Blatty to write The Exorcist. It was directed by Steven E. de Souza and written by de Souza and Michael Lazarou, from the book of the same name by Thomas B. Allen. Main characters were played by Timothy Dalton, Henry Czerny and Christopher Plummer.



Apparently there was a sequel to Blattys book:

"  Blatty directed The Ninth Configuration, a post-Vietnam War drama set in a mental institution. Released in 1980, it was based on Blatty's novel of the same name. Though it contrasts sharply with the tone of The Exorcist, Blatty regards Configuration as its true sequel. The lead character is the astronaut from Chris' party, Lt. Cutshaw. "

 The Ninth Configuration, (also known as Twinkle, Twinkle, "Killer" Kane

The Ninth Configuration
Theatrical release poster

The first half of the film has the predominant tone and style of a comic farce. In the second half, the film becomes darker as it delves deeper into its central issues of human suffering, sacrifice and faith. The film also frequently blurs the line between the sane and the insane.




Synopsis

Colonel Kane (Stacy Keach), a Marine psychiatrist suffering from nightmares, arrives at a castle in the American Pacific Northwest where shell-shocked and insane soldiers from the Vietnam war are being treated. The castle's staff has been unable to control the patients, many of whom are suspected of faking their illness to get out of combat. The permissive Kane opens himself up to listen to anything the soldiers have to say to him in an effort to heal them, while at the same time suffering from his own demons.

William Peter Blatty once referred to The Ninth Configuration as the true sequel to The Exorcist, and has stated that he intended the character of Captain Cutshaw to be the same astronaut whom a sleepwalking Regan in The Exorcist warns, "You're going to die up there." In The Ninth Configuration, Cutshaw mentions a fear of dying in space that is almost certainly a reference to Regan's line in the previous film. However, the characters were played by different actors, and the astronaut in The Exorcist is not given a name onscreen or by the credits.
Although The Ninth Configuration is quite dissimilar to The Exorcist in terms of story and tone, both films feature theological discussions between their respective characters which address questions of faith, the mystery of goodness vs evil, and the existence of God and the Devil. The motif of a saint's medallion as a symbol of faith appears in both The Exorcist and The Ninth Configuration; also of interest is the fact that some dialogue from Blatty's discarded, first-draft screenplay for The Exorcist was re-used in The Ninth Configuration.
From the original Exorcist screenplay:
Chris MacNeil: If you're asking if I believe in the devil, the answer is yes - yeah, that I believe. The devil keeps doing commercials.
Father Dyer: But if all the evil in the world makes you think that there might be a devil - then how do you account for all of the good?
From the final version of The Ninth Configuration:
Captain Cutshaw: I believe in the Devil alright. And you know why? Because the prick keeps doing commercials!
and
Colonel Kane: You're convinced that God is dead because there's evil in the world.
Captain Cutshaw: Correct.
Colonel Kane: Then why don't you think He's alive because of the goodness in the world?


'The Exorcist' Movie trivia:

- The bedroom set had to be refrigerated to capture the authentic icy breath of the actors in the exorcizing scenes, the bedroom scenes along with many other scenes were filmed in the basement of Fordham University in New York. The temperature was brought so low that a thin layer of snow fell onto the set one morning. Linda Blair, who was only in a thin nightgown, says to this day she cannot stand being cold.

- The movie's eerie opening sequence was filmed in the Iraqi town of Sinjar, near the Syrian border. The people of Sinjar are mostly Kurdish members of the ancient Yezidi sect, which worships a deity often equated with the Devil.[5] The archaeological dig site seen at the beginning of the movie is the actual site of ancient Nineveh in Hatra.


Blattys actually going to re-make 'The Exorcist' into a mini series:

"In November 2009 was announced that William Peter Blatty planned a miniseries of his film"

Urban legends and on-set incidents

Some claim the film was cursed. Blatty has stated on video[7] some strange occurrences. Burstyn indicated some rumors to be true in her 2006 autobiography Lessons in Becoming Myself. The interior sets of the MacNeil residence, except for Regan's bedroom, were destroyed by a studio fire and had to be rebuilt. Friedkin has claimed that a priest was brought in numerous times to bless the set. Other issues include Blair's harness breaking when she is thrashing on the bed, injuring the actress. Burstyn noted she was slightly hurt when Regan throws her across the room. Actor Jack MacGowran (Burke Dennings) died during filming.


realstorybehindexorcistcover

The book revolves around a reporter trying to track down the real person upon which the movie The Exorcist was based, and discovers that there was more to the story. During the investigation, different tales are told by “witnesses” from their perspective that lead the reporter to the real-life inspiration.
Interestingly, the studio plans to ignore the actual newspaper articles that exist in relation to the case.


Parallel Imagery


In the Iraq opening, a young boy runs across the diggings to get a message to Father Merrin. The camera peers through his legs as he speaks, foreshadowing the gruesome crucifix masturbation scene that comes later.


In Iraq, Father Merrin finds the small amulet in his diggings and senses evil, much like Lieutenant Kinderman does when he finds one of Regan’s clay creations at the bottom of the Washington steps, where two deaths occur.


This one is pretty self explanatory. In the Iraq opening again, a steel worker removes his hat and gazes over to Father Merrin, revealing a blank, white eye. Of course, Regan’s eyes will later resemble this in her demonic state.


Ever noticed that Regan’s creation kind of looks like the Pazuzu statue from the Iraq scenes? Pazuzu is the demon that possess young Regan, using the name Captain Howdy. Regan’s ‘art’ can also be associated with the desecration of the Mary statue in the church.


In the Iraq opening, Father Merrin is examining some findings when the clock behind him stops. This same clock appears (for a second) during Father Karras’ dream after his mother dies. The two characters don’t meet until the end part of the film, but the image of the stopped clock brings them fatefully together for the viewers.


This is one of my favorites. Chris is woken early in the morning to start shooting and rolls over to find Regan has snuck into bed with her. While Chris is on the phone, we clearly see a picture frame on her bedside dresser with a photo of Regan inside. Later, during the hypnotism, Chris stands in front of the photograph (which is blurred out in the background) and she is unknowingly holding the same pose. This same pose is also freakishly close to the pose Regan is sitting in after killing Father Merrin near the end of the film.


During Father Karras’ dream, we see a shot of his mother against a pitch black background, almost exactly like the Captain Howdy subliminals that occur during the film. This is a little freaky as later on, during the exorcism, Captain Howdy/Pazuzu will use Karras’ dead mother against him in a bid to break his faith.




"Subliminal Images"

Alleged subliminal imagery

The Exorcist was also at the center of controversy due to its alleged use of subliminal imagery. A detailed article in the July / August 1991 issue of Video Watchdog examined the phenomenon, providing still frames identifying several usages of subliminal "flashing" throughout the film.[30] In an interview from the same issue, Friedkin explained, "I saw subliminal cuts in a number of films before I ever put them in The Exorcist, and I thought it was a very effective storytelling device... The subliminal editing in The Exorcist was done for dramatic effect — to create, achieve, and sustain a kind of dreamlike state."[31] However, these quick, scary flashes have been labeled "[not] truly subliminal"[32] and "quasi-" or "semi-subliminal"[33]. True subliminal imagery must be, by definition, below the threshold of awareness.[34][35][36][37] In an interview in a 1999 book about the movie, The Exorcist author William Blatty addressed the controversy by explaining that, "There are no subliminal images. If you can see it, it's not subliminal."[38]


As fans of the film know, The Exorcist is littered with many clever subliminal images that assist in telling the compelling story. Many different people have different opinions of these subliminal moments and they were definitely a point of controversy when the film was released in 1973.
Here, I have listed all the subliminal images I have found in the latest version of The Exorcist.
The DVD time is relevant to The Version You’ve Never Seen edition.

DVD TIME
IMAGE
0:31:29

SCENE DESCRIPTION:
Regan’s medical examination. Her eyes open wide as she lays on the bed and this image of Captain Howdy flashes up on the screen for three frames.

DVD TIME
IMAGE
0:45:01

SCENE DESCRIPTION:
Father Karras’ dream sequence is where the first subliminal appeared in the 1973 original. Also look for many other great images that aid the story including the stopped clock from Iraq and the running dog, representing the dog fight Father Merrin sees when he goes to the Pazuzu statue.

DVD TIME
IMAGE
0:56:03

SCENE DESCRIPTION:
To the right of screen next to Chris’ face in the kitchen. The lights flicker on and Howdy can be seen. One of the most recognized subliminal from The Version You’ve Never Seen.

DVD TIME
IMAGE
0:56:13

SCENE DESCRIPTION:
Chris is about to open the door to Regan’s bedroom. The face of the Pazuzu statue can be seen against the black just before she opens it. It is very quick and bright, so don’t blink or you’ll miss it!

DVD TIME
IMAGE
0:56:56

SCENE DESCRIPTION:
Watch the statue fade into view to the left of screen after Chris leaves Regan’s bedroom the room. It can be hard to see (hence no image), but if you look, you will see Pazuzu!

DVD TIME
IMAGE
1:00:05

SCENE DESCRIPTION:
This cross-fade subliminal was very cleverly added for The Version You’ve Never Seen. When Regan is hypnotized and gets angry, an angry face of Captain Howdy blends in with hers on a close-up.

DVD TIME
IMAGE
1:43:13

SCENE DESCRIPTION:
Regan is being exorcised. The lights are flickering on and off, and Regan is flinging her head from side to side. At one point, when the lights go down and Regan is turning her head to face us, it is Captain Howdy.

DVD TIME
IMAGE
1:45:24

SCENE DESCRIPTION:
Kind of like the hypnotized face. Regan spins her head around during the exorcism and we get a close-up of her face with Captain Howdy’s dissolved in. This helps animate the dummy’s head.

DVD TIME
IMAGE
1:56:23

SCENE DESCRIPTION:
Father Karass demands that Pazuzu enter him. He is possessed and about to jump out the window. There is a shot of the window before he shouts ‘Nooo!” and within the flicker of the curtains, he can see his mothers face.










1.




































The Demonologist: The Extraordinary Career of Ed and Lorraine Warren
 
 













The Demonologist: The Extraordinary Career of Ed and Lorraine Warren

~ Gerald Brittle
(Author)


Product Description

If you think ghosts are only responsible for hauntings, think again. The Demonologist reveals the grave religious process behind supernatural events and how it can happen to you. Over twenty years in print, here is the original uncut version of this classic text. Illustrated with photographs of phenomena in progress, every sentence in the book is true. Used as a text in seminaries and classrooms, this is one book you canĂ‚’t put down.

About the Author

For over five decades Ed and Loraine Warren have been considered America?s foremost experts on demonology and exorcism. With over 3,000 investigations to their credit, they reveal what actually breaks the peace in haunted houses. Expertly written by Gerald Daniel Brittle, a nonfiction writer with advanced degrees in literature and psychology specializing in mystical theology.




2.












The Dark Sacrament: True Stories of Modern-Day Demon Possession and Exorcism
 














The Dark Sacrament: True Stories of Modern-Day Demon Possession and Exorcism

~ David Kiely (Author), Christina Mckenna (Author)












o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o










Product Description

The Devil Is Alive and Well
In The Dark Sacrament, coauthors David M. Kiely and Christina McKenna faithfully recount ten contemporary cases of demon possession, haunted houses, and exorcisms, and profile the work of two living, active exorcists. The authors serve as trustworthy guides on this suspense-filled journey into the bizarre, offering concrete advice on how to avoid falling prey to the dark side.


About the Author

David M. Kiely's long career as a freelance writer has included biographies, short stories, crime novels, mysteries, and several works of nonfiction. When his spouse and coauthor, Christina McKenna, was eleven, a paranormal "visitor" tormented her home for six weeks. Only through the intervention of an exorcist could the spirit be expelled. The authors live in Rostrevor, Northern Ireland.


3.

Begone Satan
 


Product Description

This famous little book describes an extraordinary 23-day-long exorcism case in 1928 involving a woman who had been cursed by her own father. It took place in a parish in Earling, Iowa and was assisted by religious sisters, all of whom requested a transfer when the distressing experience was over. The story shows the power of Satan, but more importantly, demonstrates the power of God over Satan, as exercised through the Catholic priesthood and her traditional Rite of Exorcism. The strange noises and repulsive bodily phenomena caused by the devil that are described here exemplify the power of the devil over matter. Conversations between the exorcist and various evil spirits, also recorded here, give insights into the devil's malice and cunning. Yet this account also reveals the fear these evil spirits have of Holy Water, of a Crucifix, of Relics as well as of St Michael the Archangel and various other Saints. One of the most famous exorcism cases in U.S. history, this fascinating yet sobering story reveals the malice of Satan and shows God's victory over him through the instrumentality of His Holy Catholic Church, instilling hope and confidence in the reader of the power of Christ over the devil and his minions.



4. All of Malachi Martins & Jose Antonio Fortes books

Interview With an Exorcist: An Insider's Look at the Devil, Demonic Possession, and the Path to Deliverance5.